Sunday, November 27, 2011

Work Experience Trella Photography

Trella Photography by Jane Allert

Photos: http://www.facebook.com/pages/Trella-Photography/141106929247077

Introduction

Work experience can be extremely valuable when considering starting out your own business. I decided to search around for someone who has a high quality of work in an area I am interested in. Jane Allert’s photography first captured my attention earlier this year when I noticed her work on a social media website. I decided to make the most of this opportunity and approach her regarding work experience.



Meet Jane

Jane Allert is Mum of two energetic and bright eyed kids. Her husband bought her a Canon 50d and from there she began to teach herself the basic controls of using a DSLR. She would put these photos up on facebook and would receive comments saying she puts up a lot of kids photos. Taking this as maybe she was putting up too many photos and people were possibly sick of seeing them, she made a personal page. This was unknowingly the beginning of her business. From here people began to ask how much she charges for her portraits. Realising that this was something she could pursue and with the support of her husband she opened Trella Photography in August 2010.

Trella Photography

Jane’s business grew very quickly with sessions quickly booking out months in advance. She operates two days a week, Tuesdays and Saturdays and has a very quick turnaround time. One of Jane’s key strengths is her interaction with young kids. Children can often be challenging to work with and Jane takes this on with a big smile. She has a beautiful whimsical, fantasy style to her work and has clearly found her niche. She creates portraits that are not just aesthetically beautiful but aims to capture the true personality of her subject. Her business philosophy is to create beautiful affordable photography for everyone.

Jane developed her business name by simply reversing her last name. It also turned out that Trella means little star in Spanish providing a cute, quirky and appropriate business name. She markets her business at day cares and on social media sites. One aspect of social marketing that has been helpful in promoting her business is the ability to tag people on social websites like Facebook. In turn a wider group of people can then see the photographs and this links them back to her page. Jane offers an affordable quality service. She also does reduced rates for returning customers to encourage further business. This has been a valuable marketing tool for her business with families returning for maternity shoots, family portraits and newborn shoots.

Jane draws her inspiration from two photographers in the same area as her, Jinke Art and Penelope Jay. These two photographers have the same natural style with a little bit more of a fantasy element. They have a lot more details, set ups and elaborate props and create some absolutely stunning portraits.

Equipment and Technique

Jane quickly upgraded her camera to a Canon 5d when her business began to grow. Enjoying the full frame camera she uses a 70-200mm 2.8 lens, a 50mm 1.2 lens and an 100mm macro. She has a small home studio set up with two studio lights and a back drop. Jane prefers to shoot with natural light believing that it adds to the natural emotions of the subjects. Her editing techniques are quite consistent using detailing in the eyes, colour changing and textures as her main tools. She really focuses on bringing out the eyes naturally and in post-production. She uses soft natural lighting and crisp focus with a wide aperture. Her editing includes sharpening and defining this area by use of dodge and burning and it is apparent in her photos that it is a defining feature to her style of work.

Jane’s main shooting technique is to create a comfortable environment with a fun atmosphere and relies on her fantastic ability to interact with kids to get the shots. Some tips I learnt are to always get the parents to stand near you as the kid will often look to their parents and in turn near the camera. She also said she always wears white or light clothes when photographing as it helps to create catch lights in the subject’s eyes in outdoor environments. Jane gets her subjects to wear neutral colours with no distracting logos and encourages them to bring any sentimental props.

Work Experience

I was invited to assist with one of Jane’s Christmas mini sessions. She did something similar the previous year and advertised a two day block of 30 minute mini sessions. The kids had to be aged between 4 months and 4 years. This started with an early set up of props with the first subject arriving at 9am and shooting through till 4.30pm. Sounding like an extreme challenge photographing over 30 kids in two days, Jane’s calm attitude tackled this task easily. The set up remained the same for each session with just props and subjects changing. During the session one of the kids started to yell. Jane then yelled straight back which startled the kid, before he produced a big grin. They then proceeded to have a screaming contest while Jane kept snapping away whenever he let out a huge grin. This to me shows that whilst technical skills are very important interaction can be equally as important depending on the chosen field.

All of the parents were so pleased to be having their kids photos taken by Jane and some had been waiting months to get a session. She is always described in feedback as patient and great with the kids and has an eye for creating beautiful imagery. They often describe her photos as magical. Another photographer Chelsea Templeton from Proof of Life Photography was assisting Jane over the two days. My jobs were to basically watch and learn, hold reflectors help with props and take photos alongside if I wanted. The involvement in this day was a fantastic learning opportunity. It was great to see the potential challenges and enjoyment there can be from photographing kid. I thought the idea of the Mini Christmas Sessions was a very clever selling point and was a huge success with lots of happy parents.

Future of Trella

Jane will be relocating to Albury next year and is looking forward to expanding her business. Chelsea Templeton is a commercial photographer and friend and they are looking to set up a shop front and studio together. As they each concentration in different areas of photography they feel that this would be a fantastic way to grow their businesses individually with a strong physically presence and the ability to cover a range of photographic areas. Jane’s work is strongly influenced by her family and that she believes it is important for everyone to have quality photographic memories of their kidsShe is looking to work more days and continue to expand her business and clientele. She will still be available to travel back to Canberra but her work is now spreading in a new region.

Conclusion

Jane is a completely self-taught photographer demonstrating that there are numerous ways to get into the photography industry. There is no set pathway into the trade you just need to provide a quality service where there is a need. There seems to be lots of ‘mum’s with cameras’ businesses out there but Jane’s business is of a professional standard with a flair for creativity and is developing into a skilled and sought out service. She is an approachable and genuinely friendly person and her nature allows her to gain natural photographs of her young subjects.

Practical Task 2

Gardening Australia

Tamara Weatherburn

Gardening Australia is a magazine detailing the beautiful landscapes and home garden in Australia. In Australia we are lucky enough to have some amazing bush outdoors home to native flora and fauna. This magazine is designed to inspire enthusiast hobby gardeners through to landscape architects. It includes feature articles including designs from some of Australia’s top landscape architects and beautiful gardens. Specialist articles include sustainability issues and deforestation to some lighter subjects such as what season is best to grow your tomatoes. Whichever your desire there are plenty of tips and articles as well as stunning scenery spread across the pages.

­­­This feature article is a four page spread focusing on one of Canberra’s most popular attractions, The Botanical Gardens. It is a promotional piece displaying it as family friendly and a great place to relax. It details the different areas that are included at the gardens from Tasmanian natural plants to dessert gardens. It portrays the gardens as a relaxing environment where one could enjoy a delicious meal from Hudsen’s CafĂ© or a stroll through the beautiful rainforest area. You are sure to see plenty of wildlife too! The Botanical Gardens is great place for a weekend outing or for the keen photographer to snap up some fantastic images.

The double page spread image captures the essence of the garden by displaying it as both a place to enjoy the environment and flora and fauna as well as a place to sit and relax with family, friends or a good book! I wanted to portray the size of some of the trees that are there giving a sense of age and importance. The beautiful green tones captured the life and care of these gardens.

The full page image exhibits a detail of the gardens which is the wildlife that can often be found scurrying around the place. I decided to use three images in which the display the size and details of the area from the complete enormity of some of the trees, to the quiet rock pools and the smaller details or the flowers and animals. The partial page image shows the atmosphere of the gardens evoking a sense of a warm and friendly place.





Portraits Final Folio









Final Work











Folio Concept

Introduction

Planning is a key aspect in producing a strong body of work. Proper preparation allows a timeline in which to complete the task as well as a developed concept. The purpose of this document is to provide a description of my concept as well as the necessary research and information into the chosen field.

This semester’s folio contains two components. This document will cover the studio aspect for which I have chosen the food as my topic. In combination with the valuable skills learnt in the food workshop and the research I have conducted I have decided that food would be the most interesting and beneficial topic for myself and will be an enjoyable challenge as my area of interests usually lie in photographing people.

The aim behind the folio is to create a quality body of commercial work in an area demonstrating skill in the studio.

Concept

The basic concept for my studio folio is to create aesthetically pleasing images that are of commercially acceptable standards in the area of food photography using a colour theme. I wish to produce 8 images consisting of different food products each revolving around a different colour. The food will vary from ingredients through to main meals and deserts. This will allow me to develop a folio and understanding across the entire range of food photography. The photographs will be A3 sizing and mounted on foam core. My main aim is to achieve consistency throughout the images and develop a clear style through the colour theme. I would like to keep the same tone across the images and portray a mood with each photograph.

Technical Information/Techniques

Lighting is extremely important in food photography. It needs to be able to properly display the food as it is a commercial folio the photographs need to really sell the products and make them look appetizing. Dull lighting and harsh shadows will have the opposite effect. My photographs will all have similar lighting to keep consistency throughout the folio. I intend to use high key lighting mostly in a home studio environment in which food is mostly shoot. Some flash may be required to help balance shadows but more often than not I will be using natural window light with a fill on the opposite side. See diagram below.

I plan to use a wide aperture to create a short depth of field which is common in food photography. This will be shot from a relatively low viewpoint to further emphasis the product. Props will be essential to compliment the food but it will be important to not overdo it and clutter the image as the focus needs to remain on the product.

Melbourne based food specialist photographer Brent Paker Jones is a photographer who has particularly caught my eye. His work has a consistent style much alike the one that I intend to create with my body of work. His work is so simplistic yet has such strength to it that it makes you want to just grab it off the plate! His passion for not just photography but also what he is photographing is clearly displayed in his work. He has been working in the industry for over 14 years and has worked internationally.

Studio Equipment

- Flash

- Backdrops

- Light Meter

- Macro Lens

- Tripod

- Reflector

- Gels

- Grey Card

- Products to photographs

Props

Props will be an important aspect when styling my scenes. They will need to appropriate and compliment the key product. It is important to us props that would be seen with each product so they do not appear out of place. These will include;

- Dining wear

- Cutlery

- Mugs and Cups

- Table Clothes

- Tables

- Backdrops

- Plates

- Bowls

- Tea sets

- Garnishes

- Placemats

- Cooking utensials

Food

For the food the first step will be to source restaurants. I have written a letter that I have handed out to various restaurants around Canberra hoping to be able to photograph some properly ‘plated up’ meals.

Restaurants include;

- Homestead café

- Cream Café and Bar

- Ellacure

- All Bar Nun

- Verve

- Black Pepper

Some of the food will also be store bought such as ingredients and sweets. Other items I will be cooking myself.

Costing

I plan to keep this folio as low budget as possible. Sourcing food from restaurants will contribute largely to keeping costs down. Most props I will be able to find with in my own home. At this stage I am only intending to buy a few key things such as cupcakes or ingredients like fruit and vegetables and spices. My current budget is between $50-$100.

Timeline

An early start and proper planning will be crucial to the smooth development of this folio.

Week 4

- Submit Folio

- Sourcing a place to print

- Sourcing a place to mount

- Sourcing Props/Locations/Products/equipment/access

- Create home studio

- - Practice shoots

Week 5

- Week 5 I will be photographing the first studio image.

- Post production for best images from shoot

- Best images prepared for printing and digital submissions including raw files and slideshow template

- Prepare Week 6 shoot including confirmation on products, props and locations etc.

Week 6

The second week of shooting I will aim to begin shooting and doing the necessary post production on the second and third images.

- Week 6 I will be photographing the next image.

- Post production for best images from shoot

- Best images prepared for printing and digital submissions including raw files and slideshow template

- Prepare Week 7 shoot including confirmation on products, props and locations etc.

- Feedback from teachers on week 5 shoot

The reason I am selecting and doing postproduction on the three to four best images from each shoot is so I have completed files to show a number of teachers to get feedback on each shoot.

Week 7

- Week 7 I will be photographing the next image.

- Post production for best images from shoot

- Best images prepared for printing and digital submissions including raw files and slideshow template

- Prepare Week 8 shoot including confirmation on products, props and locations etc.

- Feedback from teachers on week 6 shoot

Week 8

- Prepare images so far from three shoots in studio to show in one on one review session

- Week 8 I will be photographing the fourth image.

- Post production for best images from shoot

- Best images prepared for printing and digital submissions including raw files and slideshow template

- Prepare Week 9 shoot including confirmation on products, props and locations etc.

Week 9

- Week 9 I will be photographing the fifth and sixth images.

- Post production for best images from shoot

- Best images prepared for printing and digital submissions including raw files and slideshow template

- Prepare Week 10 shoot including confirmation on products, props and locations etc.

- Feedback from teachers on week 9 shoot

Week 10

- Week 10 I will be photographing the seventh image.

- Post production for best images from shoot

- Best images prepared for printing and digital submissions including raw files and slideshow template

- Prepare Week 11 shoot including confirmation on products, props and locations etc.

- Feedback from teachers on week 9 shoots

Week 11

- Prepare for group review of work

- Week 11 I will be photographing the last image.

- Post production for best images from shoot

- Best images prepared for printing and digital submissions including raw files and slideshow template

Week 12

My aim is to have all 8 images photographer and edited by week 12 so if there are any reshoots I have another 2 weeks to complete these. If not I can now send the images off to the printers or do a est print to decide what paper best suits. Final retouches would also be done this week to assure that the images are cohesive and consistent.

Week 13

- Reshoots if needed

- Send to printers

- Mounting

Week 14

This week I will aim to have all my final preparations in order to submit the following week. I will receive the prints this week and get them mounted at framing pieces in Mitchell or alternatively mount them by hand. Once prints are mounted they will be wrapped up and ready for submission so there is no last minute rushes in the week that they are due.

- Final review with teachers

- Prints returned by post.

- Reprint if any issues

- Mounting

- Digital Files ready for submission

Week 15 Due

- Submit final images digital and prints

- Present to panel

Conclusion

I believe the key to this folio will be developing consistent images that are cohesive and work strongly together. Proper preparation and planning will be crucial to the smooth running of my folio leaving adequate time for any test shoots, reshooting and printing errors. I am looking forward to tackling this task and getting the most out of this new area of photography.

Fashion Photography

Fashion Photography is something I am very interested in! Unfortunately as I had a middle ear infection I was only able to come to half of the fashion workshop but was still fantastic to finally meet Kate Luke and watch her shoot as I'd been looking forward to it all term. I've seen her work on facebook and in the Canberra Weekly magazine. She has great lighting technical skills and loved to see the beauty dish! The main thing that I learned was how to better interact with a model. Simone was a fantastic model with a lot of experience and I learnt a lot from watching her too.

Below are some of Kate Luke's Photos from the day






http://www.facebook.com/pages/Kate-Luke-Photography/197601603009


Here are some other examples of Kate's work also from her facebook page:








Vehicle Photography

Vehicle Photography is not an area that is of strong interest to me but in saying that this was probably one of my favourite work shops this year. I loved that the whole class got involved and the car was actually really great! Dave also provided some entertainment!

- Use large soft boxes in studio
- Flying ceiling creates best reflection for above the vehicle
- Treat as a shiny product
- Location shoot at sunset
- Panning
- Location appropriate to car
- Interiors and details